White People: This Is On Us

Four years ago, on the eve of the 2016 U.S. presidential election, I made the dispiriting prediction that, regardless of who won (and, at the time, the notion that Donald Trump would win seemed inconceivable to most of us), America was witnessing the birth of a new civic (dis)order.

Four years later, in the shadow of another election, our world is both radically different — and dispiritingly similar. So it’s notable that the storyline of HBO’s dystopian, overwrought, and prescient 22nd-century series, Westworld, once again provides an edifying parallel to the real-life drama of 21st-century American public life.

If you haven’t watched it, Westworld is a show about a question at the heart of American identity: What does it mean to be free? — albeit in the context of watching what happens to our great-great grandchildren when their robot playthings become hip to the game and decide to exact some revenge.

In 2016, the show’s first season took place exclusively in an amusement park in which people paid obscene sums to act out obscene fantasies with humanoid robots whose memories would be wiped clean after each new day in an endless loop of unconscious servitude. But in 2020’s season three, Westworld (like our own) is in freefall. It turns out the owners of the park were secretly mining the data of their visitors in order to advance their own Orwellian notion of a more predictable social order. Meanwhile, a few robots have slipped the yoke, only to discover an outside world eerily similar to the one they’d just fled. As one character puts it, “They built the world to be a game — and then rigged it to make sure they always won.”

Which brings us to our own real-world dystopia — one in which Trumpian notions of “liberation” are merely a symptom of a much deeper malaise, and the Orwellian overlay is as relevant as ever, albeit in an even more chilling way than the worlds depicted in 1984 or on HBO.

That’s because, unlike the robots in Westworld or the proles in Oceania, we are not color-blind, but color-bound. And while this has always been true — the Peculiar Institution, after all, is America’s Original Sin — the Coronavirus pandemic has laid its enduring legacy even more nakedly at our feet. 

As The Atlantic‘s George Packer puts it, the virus has exposed America’s underlying conditions in ways that reveal us to be, in effect, a failed state: “in prosperous cities, a class of globally connected desk workers dependent on a class of precarious and invisible service workers; in the countryside, decaying communities in revolt against the modern world; on social media, mutual hatred and endless vituperation among different camps; in the economy, even with full employment, a large and growing gap between triumphant capital and beleaguered labor; in Washington, an empty government led by a con man and his intellectually bankrupt party; and around the country, a mood of cynical exhaustion, with no vision of a shared identity or future.”

Here, too, the parallels between Real World and Westworld are instructive. 

”How did you get here?” multiple characters are asked throughout the series. “Start at the beginning.”

If we take that question and apply it to ourselves, there’s only one American intersection where all roads converge — from the unmasking of our runaway wealth inequality to the bands of masked protesters demanding the country re-open so they can get a tattoo or eat a cheeseburger:

In this land — our land — freedom is whiteness (just ask Amy Cooper)And until that changes, we will remain trapped in our own endless loop of social, moral and spiritual decay.

As New York Times columnist Jamelle Bouie explains, citing the 1993 work of legal scholar Cheryl Harris, “Whiteness” has always been the defining characteristic of free human beings in America. To be white, therefore, is to have control over oneself and one’s labor, and to be subject to no one’s will but one’s own. And that tie between whiteness and freedom has only strengthened over the years — from Westward Expansion to Chinese Exclusion, or from Emmitt Till to Ahmaud Arbery and George Floyd.

“The great irony,” Bouie writes, “is that this conception of freedom, situated within racial hierarchy and meant to justify deprivation and inequality, has always been impoverished when compared with an expansive, inclusive vision of what it means to be free. And in the particular context of a deadly pandemic, the demand to be free of mutual obligation is, in essence, a demand to be free to die and threaten those around you with illness and death. Most Americans, including most white Americans, have rejected this freedom of the grave. But among the ones who haven’t are the people leading our government, which means that this ‘freedom’ remains a powerful — and dangerous — force to be reckoned with.”

Where to, then, from here?

In Westworld, the path forward leads to the most predictable, stereotypical end-goal of “revolution” — burn the motherfucker to the ground. 

But Westworld’s characters also deliver lines that could be seen as beacons for our own desperately-required awakening. There are rare moments in life, one of them explains, “when randomness interacts with your life to create a truly free space where you can make a choice — a bubble of agency.”

This pandemic, and all it has laid bare, is our bubble. Yet as I wrote four years ago, the actions required of us include, and are not limited to, the next presidential election. And for those of us who are “white,” the reality is that the bulk of this work is ours to do — not because of some modern-day Kipling-esque fantasy about white exceptionalism, but because to unwind such deeply entrenched notions of privilege, the people who receive the benefits must be the main ones to demand that the system(s) be unwound. 

To do so, however, as my friend Susan Glisson has wisely written, we must give ourselves the breathing room to question whiteness and its power over this nation. As Orwell himself once wrote, “the moral to be drawn from this dangerous nightmare situation is a simple one: Don’t let it happen. It depends on you.”

The (A)morality of Trump’s School Choice Plan

In his State of the Union address tonight, President Trump will renew a call for tax breaks in order to provide more scholarships for students to attend private schools.

The Education Freedom Scholarships would provide up to $5 billion in federal tax credits to individuals and businesses who donate to scholarships for families to use at private, faith-based schools or to fund homeschooling. “For decades,” Trump explained, “countless children have been trapped in failing government schools. We believe that every parent should have educational freedom for their children.”

To which I say, buyer: beware

And: it’s complicated.

As a resident of Washington, D.C., site of one of the country’s most ambitious school voucher plans to date, and a city in which half of the city’s students attend public charter schools, I feel like I’ve seen this movie before. And, for what it’s worth, I even support school choice. I helped launch a charter school here. My sons attend another one, and the city is beginning to see some real collaboration between its charter schools and the district. Good things are happening.

At the same time, I worry about what could happen if too many of us simply assume that the invisible hand of the modern school marketplace – or, worse still, the incentivizing hand of the federal official – is a sufficient strategy for ensuring that all children receive equal access to a high-quality public education.

One sees, for example, the horror stories from Michigan — aka Ms. DeVos’s former laboratory — where four out of five charter schools are run by for-profit entities (read that again). One sees the sizable discrepancy between the expulsion rates of charter and district schools in D.C. and elsewhere. And so one should take seriously the warnings of scholars like Harvard’s Michael Sandel, who urges us to think much more carefully about the role market-based thinking should have – scratch that, does have – in our lives.

“Markets don’t just allocate goods,” Sandel writes in What Money Can’t Buy: The Moral Limits of Markets. “They also express and promote certain attitudes towards the goods being exchanged.” And what has occurred over the past thirty years is that without quite realizing it, we have shifted from having a market economy to being a market society. “The difference is this: A market economy is a tool – a valuable and effective tool – for organizing productive activity. A market society is a way of life in which market values seep into every aspect of human endeavor. It’s a place where social relations are made over in the image of the market.”

Anyone who has closely followed the sturm und drang of American school reform over the past decade has seen evidence of what Sandel is describing. Our  growing reliance on — and resistance to — data-driven decision-making is a direct result of an ascendant technocratic faith in applying scientific rigor to the previously opaque art of teaching and learning. Economist Gary Becker sums up this thinking well when he asserts: “The economic approach is a comprehensive one that is applicable to all human behavior, be it behavior involving money prices or imputed shadow prices, repeated or infrequent decisions, large or minor decisions, emotional or mechanical ends, rich or poor persons, men or women, adults or children, brilliant or stupid persons, patients or therapists, businessmen or politicians, teachers or students.”

That’s a mouthful, and it captures the sea change Sandel wants us to see. Whereas in the not-too-distant past, economic thinking was restricted to economic topics — inflation, investment, trade — today it is being used to outline a new science of human behavior: one that assumes modern society will work best when human beings are allowed to weigh the costs and benefits of all things (including where to send their children to school), and then choose whatever they believe will yield the greatest personal benefit.

The part of me that agrees with that logic is the part that supports the basic idea of school choice. After all, we have tolerated a system of unequal opportunity in this country for too long, and there’s real merit in the argument that one’s zip code should not become one’s destiny. School choice in cities like mine gives everyone the same chance at a high-quality education, and empowers each family to set its own “shadow prices” – the imaginary values that are implicit in the alternatives we face and the choices we make – and then make their own decisions about where to send their children to school. As the rally cry goes, MY CHILD, MY CHOICE.

Who could argue with that?

Certainly not Texas Senator Ted Cruz, one of the legislative sponsors for the new plan. “Competition improves,” he asserted. “And in this case, injecting new money to give that freedom, to give that competition, to give that power of choice, will enhance the quality of education to kids all across the country.”

But here’s where it gets complicated.

In the end, should we define public education as a public good, or a private commodity? Will our efforts to unleash self-interest (which is, after all, what the economist seeks to economize) strengthen or weaken the connective tissue of our civic life? And will the current trajectory of the school choice movement unleash a virtuous cycle of reforms that improves all schools, or merely add another layer in our historic apartheid system of schooling?

On these questions and others, I agree with former Chinese premier Zhou Enlai, who, when asked by reporters in 1971 to offer his assessment of the impact of the French Revolution of 1789, said: “It is still too soon to say.” But I also agree with British sociologist Richard Titmuss, who argued that “the ways in which society organizes and structures its social institutions can encourage or discourage the altruistic in man, foster integration or alienation,” and strengthen or “erode the sense of community.”

President Trump’s myriad other amoral tendencies notwithstanding, our changing notion of community should be the central concern of anyone who cares about school choice. How can greater choice bring us closer to each other, and to a revitalized notion of civic virtue and egalitarianism? How can we ensure that school choice does not contribute to an even wider divide between the haves and the have-nots, and an even wider discrepancy between those who know how to negotiate the increasingly commodified assets of modern life, and those who are merely left to take whatever comes their way? And how can school choice reflect this basic truth about democracy – that while it does not require perfect equality, it does require that citizens share in a common life, one that is grounded as much in the “we” as the “me”?

These are the questions we must explicitly ask – and answer – if we want school choice to become a force for good. And we can’t do that without explicitly debating the extent to which market-based thinking can get us there. As Michael Sandel reminds us, “when market reasoning is applied to [an issue like] education, it’s less plausible to assume that everyone’s preferences are equally worthwhile. 

“In morally charged arenas such as these, some ways of valuing goods may be higher, more appropriate than others.”

2019: The Year of Living Emergently?

We’re doing it again.

2019 is barely a week old, yet everyone seems to be searching for the singular person, policy or program that can restore order and usher in the better world we seek. From the excitement over the looming presidential race (and the promise of a return to normalcy) to the anticipation of the pending Mueller report (and the vision of a president in handcuffs), we are hardwired to hope for the sweeping solution, the quick fix, the reset button.

In reality, life works differently. What if we started to work in closer accordance with life?

What if we made 2019 the year of living “emergently?”

Emergence is not a word we hear or use often, yet it is the dynamic origin of development, learning and evolution, and we see evidence of its existence in everything from our cells to our cities. Indeed, the conditions for emergence flow from the reciprocal relationship that exists between any living form and its environment. A single ant, following the chemical trail of its neighbors to carve out a vital, completely decentralized role in a teeming colony. An adaptive software system, seeking patterns in individual behavior that shape which banner ad you see. A human stem cell, self-organizing into increasingly more complicated structures based on the behavior of its neighbors. Or even a solitary Tunisian fruit vendor, whose decision to set himself ablaze eventually sets the entire Arab world on fire.

As Steven Johnson writes in his book on the subject, the capacity for emergent systems to learn and grow “derives from their adherence to low-level rules. . . Emergent behaviors are all about living within the boundaries defined by rules, but also using that space to create something greater than the sum of its parts.”

In that sense, the central features of emergent systems outline a set of rules from the natural world that are both timeless and timely:

Give and receive feedback.

Pay attention to your closest neighbors.

Seek order, not control.

Start anywhere, and follow it everywhere.

It’s the songline of life itself — the deeply resonant story that flows through all living systems, including our own. And in a world that is becoming increasingly interwoven, and at a moment in history when the promise and peril of artificial intelligence are becoming more than just a sci-fi script, our ability to shift to a more emergent way of thinking may just be the difference between survival and extinction. As Johnson puts it, “our ability to capture the power of emergence will be closer to the revolution unleashed when we figured out how to distribute electricity a century ago. Almost every region of our cultural life was transformed by the power grid; the power of self-organization — coupled with the connective technology of the Internet — will usher in a revolution every bit as significant.”

Like the natural systems that surround us, the human systems we inhabit — from our schools to our cities to our political parties — are in a state of continuous dynamic balance. These systems are not done to us — we are the ones who create and perpetuate them, despite our protestations of innocence. (As the theoretical physicist David Bohm once put it, “Thinking makes the world and then says, ‘I didn’t do it.’”)

And so we cannot underestimate our individual and collective power to consciously create the conditions that make our system’s transformation in the direction we desire more likely.

It is literally that simple — and that complicated.

What, then, would it mean to make 2019 the year of living emergently?

For starters, it would mean resisting the urge to pin all of our hopes on any “singular solution.” Stop pretending that removing Donald Trump from office will restore a set of moral principles to American culture. Stop viewing ourselves as blameless pawns in someone else’s end game. Stop waiting for someone else’s policies to empower us to do our best work. And start working where you can, how you can, and with whom you can.

Although a better world depends on all of us, the work towards its creation begins with each of us. Transformation is first and foremost an inside job. And how we are at the small scale is how we are at the large scale.

We see evidence of these principles in practice throughout the natural world — although perhaps in no more stirring form than a murmuration of starlings. What words can do justice to the magic of as many as a million birds, flying and weaving as one?

Improvisatory choreography? Elegant chaos? Symphonic cacophony?

There is no familiar way to make sense of this natural phenomenon — both what they do and how it makes us feel when we see one.  Yet this flocking behavior of the birds the ancient Romans believed foretold the will of the Gods — indeed, the word auspicious comes from the Latin auspicium, or “divination by observing the flight of birds” — is a natural manifestation of a set of principles for organizing complex behavior,  and an observable phenomenon that runs counter to the way we human beings have made sense of the world for as long as anyone can remember. And thanks to the work of researchers, we now know that individual starlings all obey the same few flight rules:

Watch your seven nearest neighbors.

Fly toward each other, but don’t crowd.

And if your neighbor turns, turn with them.

Why do they do this? According to one of the studies, “when uncertainty in sensing is present, interacting with six or seven neighbors optimizes the balance between group cohesiveness and individual effort.” By following this rule of seven, the birds become part of a dynamic system in which each individual part combines to make a whole with emergent properties. This collective behavior allows the birds to gather information on their surroundings and self-organize toward an ideal density, one in which optimal patterns of light and dark are produced that can deliver information to the entire flock (and protect them from predators). The closer each bird pays attention, the safer — and more cohesive — the entire flock becomes.

Of course, this sort of swarming behavior is not unique to starlings. Many different animals, from birds and insects to fish and mammals, have been observed in their own form of a swarm. So what can this behavior teach us about ourselves, our organizations, and our ability to change the story of the way we work and learn?

According to Andreas Weber, author of The Biology of Wonder, “the spirit of poetic ecology is the spirit of swarms. To understand the individual, we need to understand its environment, and each through the other. We have to think of beings always as interbeings.

“We are a swarm ourselves,” Weber writes, “and we form swarms. A swarm does not have intelligence; it is intelligence. In this respect, a swarm (or a murmuration) is an intensified counterpart of ourselves. It is what we are and what we try to imagine with our conscious thinking. Swarms are solidified feeling. The swarm is — and in its being living dynamics and their expression are welded together in one single gesture.”

A murmuration, then, is more than just a metaphor for thinking differently about organizational behavior; it’s a reminder, in physical form, that our own bodies, cultures and classrooms are governed by the same rules.

As Weber puts it, “we see gestalts of the living that behave according to simple organic laws mirroring the great constellation that every living being has to cope with: to persist, to be close to the other, but not so close as to collide with him. These are the principles of poetic forms that are so thorough we can even teach them to a computer. They are the primary shapes of a poetics of living things.”

So let’s stop waiting for Godot. Let’s make 2019 the year in which we plant a thousand Trojan horses — future seeds of creative destruction that can, when the time is right, assume a different form, attack our most intractable rituals and assumptions about the systems we inhabit, and usher in a different way of being that is more in line with both the modern world and the modern brain.

Applying these principles to the way we organize ourselves will change the way we feel and act. It may even change the way we dream. “My dream is a movement with such deep trust that we move as a murmuration,” says author and activist Adrienne Maree Brown. “The way groups of starlings billow, dive, spin, and dance collectively through the air. Each creature tuned in to its neighbors. There is a right relationship, a right distance between them — too close and they crash, too far away and they can’t feel the micro-adaptations of the other bodies. Each creature is shifting direction, speed and proximity based on the information of the other creatures’ bodies. Imagine our movements cultivating this type of trust and depth with each other, having strategic flocking in our playbooks.”

We can imagine. And we can flock more strategically — but only when we recognize that the work begins with each of us, at the scale of the individual, now.

#thisisamerica (to me)

Whatever side of the culture war you’re on — and, unless you’re really not paying attention, you’re on one — this much seems clear: America is having an identity crisis.

We the people occupy different worlds. We read different newspapers, watch different TV shows, and hold up different heroes. We see one another as objects to be avoided or crushed, not reasoned with or understood. We feel increasingly certain of the other side’s madness. We have begun to lose hope, check out, and give up.

So it may surprise you to learn that a new 10-part documentary series about an Illinois high school is the Must-See TV of the moment. And yet three questions at the center of America to Me — which are literally posed at the start of the school year to a group of students still shaking off the languorous hold of the summer — strike at the root of our ongoing identity crisis:

Who are you? Who does the world think you are? And what’s the difference?

For the students of Oak Park River Forest, a diverse public high school of 3,200 students located at the edge of Chicago’s West side, these are the questions that contain multitudes. And for Oak Park’s students of color in particular, they are the questions that reveal the extent to which even a community like theirs, which was shaped by progressive housing and social policies, remains burdened by America’s original sin.

“Much of our contemporary thinking about identity is shaped by pictures that are in various ways unhelpful or just plain wrong,” explains NYU professor Kwame Anthony Appiah in his new book about identity, The Lies That Bind. And when it comes to issues of race, “not only did European racial thinking develop, at least in part, to rationalize the Atlantic slave trade, it played a central role in the development and execution of Europe’s nineteenth- and twentieth-century colonial projects.”

This is the toxic legacy under which we labor today. It’s what makes people see Colin Kaepernick as either a hero or a villain; it’s what sparks the messianic fervor at each new Donald Trump rally; and it’s what leads one of America to Me’s many student stars, a charismatic senior named Charles, to observe ruefully that “this school was made for White kids because this country was made for White kids.”

Yet the series outlines more than one set of truths. Its title comes from a Langston Hughes poem, Let America be America Again, in which Hughes writes that “America never was America to me.” Throughout the same poem, however, Hughes yearns for the other side of the American story, the one where “my land [can] be a land where Liberty Is crowned with no false patriotic wreath, But opportunity is real, and life is free, Equality is in the air we breathe.” And in the same episode in which we hear Charles bemoan the racialized design of his school, we also hear a teacher tell a group of incoming freshmen that “when you come to this house, represent who you are.”

Which is it?

Is Oak Park the rare example of a multiracial community in which all people can represent who they are in equal measure? Or is it just another example of how our country’s intractable, deeply ingrained ways of thinking about race (and one another) have yielded two opposite realities for White and Black families, and a schizophrenic message of which parts of oneself are truly welcome, and which parts are too dangerous, misunderstood, and feared?

The beauty of America to Me is that its answer is always “both/and.” The complexity of the problems we face are allowed to hang there for us to wrestle with, unresolved.

In its window into a modern American high school, for example, we see cringeworthy examples of unaware teachers, uninterested students, and uneasy reminders of the ways in which American schools remain unchanged by the tectonic shifts of the wider world. But we also see what makes schools like Oak Park so magical — the sheer variety of what you can explore and experience, the quality and commitment of the master teachers among us, and the ways in which each day can leave a student feeling seen or ignored, heard or silenced. As one teacher puts it, “I don’t think people understand how life and death this job can be.” And as another points out, as if to clarify the source of the stakes, “In this community, when we mention race, all hell breaks loose.”

Of course, they’re not alone. The shadow of America’s racial legacy is at the root of how we see ourselves and one another — all of us, no matter our color, our politics or our age. And in their willingness to courageously confront the third rail of American civic life as the cameras roll, the students, families and teachers of Oak Park have provided the rest of us with a precious and timely gift — an extended window into how far we remain from having the confidence and clarity to honestly confront, and then answer, the only questions that matter:

Who are you? Who does the world think you are? And what’s the difference?

A new episode of America to Me airs each Sunday night this fall on STARZ, or online at starz.com/series/americatome.

Before he says anything else about the Pledge of Allegiance, @RealDonaldTrump should read this . . .

Of course, we know he won’t — but that doesn’t mean the rest of us shouldn’t brush up on the actual history of the Pledge, and the actual meaning of the flag. When we do, there can be no room for alternative facts — only a history that, based on how we define patriotism, either puts us on the side of some courageous young schoolchildren of a generation ago, or on the side of totalitarianism. . .

—-

Billy Gobitas knew that refusing to salute the flag in his fifth-grade classroom could result in expulsion from school, loss of friends, and even persecution in his hometown of Minersville, Pennsylvania. But on October 22, 1935, he did it anyway. “I do not salute the flag,” he later wrote to the school board, “because I have promised to do the will of God.” The next day, twelve-year-old Lillian Gobitas followed her brother’s lead and also refused to salute the flag. “This wasn’t something my parents forced on us,” she later explained.  “I did a lot of reading and checking in the Bible and I really took my own stand.”

The Gobitas children were not alone. Other members of their church — Jehovah’s Witnesses — faced the same dilemma in school districts throughout the nation where saluting the flag was compulsory. As Billy explained in his letter, Witnesses believe that a flag salute is a form of idolatry, violating the biblical injunction not to “make unto thee any graven image, nor bow down to them.”

Two years earlier, in 1933, Adolf Hitler had banned the Witnesses in Nazi Germany for, among other things, refusing to give the Fascist salute in schools and at public events. Over the next decade, more than ten thousand Witnesses were imprisoned in concentration camps. These events in Nazi Germany led the leader of the American Witnesses, Joseph Rutherford, to denounce compulsory flag salutes in a speech delivered in 1935. Witnesses, he said, “do not ‘Heil Hitler’ nor any other creature.” Rutherford’s speech inspired the Gobitas family and other Witnesses to refuse to participate in the flag ceremony in the name of religious liberty.

The Witnesses’ objections to the flag salute failed to impress the members of the Minersville school board. In their view, the Pledge of Allegiance helped fulfill the public schools’ mission to instill “love of country.” They saw failure to salute the flag as insubordinate and unpatriotic. Most people in mostly Roman Catholic Minersville were equally unsympathetic with the unpopular Jehovah’s Witnesses. Consequently, Billy and Lillian Gobitas were expelled from school.

Eighteen months later, the children’s father, Walter Gobitas, filed suit. With the help of the Watch Tower Society of the Jehovah’s Witnesses and the American Civil Liberties Union, Gobitas argued that the Minersville school board had deprived Billy and Lillian of their right to freedom of religion and speech under the First Amendment. The Gobitas family won in the federal district court in Philadelphia and won again in the U.S. Court of Appeals. Both courts dismissed the school board’s contention that refusal by schoolchildren to salute the flag on religious grounds was a danger to the nation. On the contrary, the judges said, Lillian and William Gobitas were exercising the very “liberty of conscience” that was sought by many of our ancestors when they first came to the New World.

The Minersville school board appealed the case to the U.S. Supreme Court. Minersville v. Gobitis was decided on June 3, 1940. (Due to a printer’s error, the Gobitas family name is misspelled in legal records.)  By an eight-to-one vote, the Court reversed the lower courts and ruled that the government had the authority to compel students to participate in the flag salute. Writing for the majority — and against the backdrop of an impending world war — Justice Felix Frankfurter pointed to the need for “a common feeling for the common country.” The flag, he argued, “is the symbol of our national unity, transcending all internal differences, however large, within the framework of the Constitution.” Justice Harlan Stone was the lone voice of dissent. The very essence of liberty, he wrote, “is the freedom of the individual from compulsion as to what he shall think and what he shall say, at least where the compulsion is to bear false witness to his religion.”

The Gobitis decision had an immediate and devastating impact on Jehovah’s Witnesses in the United States. Within weeks of the Court’s ruling, hundreds of attacks on Witnesses were reported to the Department of Justice. Mobs, sometimes assisted by police, attacked and humiliated Witnesses across the nation. “In the two years following the Gobitis decision,” federal officials wrote, “the files of the Department of Justice reflect an uninterrupted record of violence and persecution of the Witnesses. Almost without exception, the flag and the flag salute can be found as the percussion cap that sets off these acts.”

Disturbed by the violence, three justices began to rethink their vote in Gobitis. When told by Justice William O. Douglas that Justice Hugo Black had changed his mind, Frankfurter asked, “Has Hugo been re-reading the Constitution during the summer?” Douglas replied, “No, he has been reading the papers.”

In 1943, the U.S. Supreme Court agreed to hear another flag-salute case, West Virginia State Board of Education v. Barnette — this time with three changed votes and two new justices. The case involved children of three Jehovah’s Witnesses in Charleston, West Virginia. Walter Barnette, Lucy McClure, and Paul Stull had been expelled from school for refusing to salute the flag.

This time, by a vote of six to three, the Court struck down the West Virginia flag-salute law, overruling the Gobitis decision. In one of the most eloquent and powerful decisions in Supreme Court history, Justice Robert Jackson cited examples from history of repressive government efforts to enforce national unity:

“The ultimate futility of such attempts to compel coherence is the lesson of every such effort from the Roman drive to stamp out Christianity as a disturber of pagan unity, the Inquisition, as a means to religious and dynastic unity, the Siberian exiles as a means to Russian unity, down to the fast failing efforts of our present totalitarian enemies. Those who begin coercive elimination of dissent soon find themselves exterminating dissenters. Compulsory unification of opinion achieves only the unanimity of the graveyard.”

The First Amendment, Jackson argued, was designed to avoid such tyranny by denying government the power over basic freedoms:

“The very purpose of a Bill of Rights was to withdraw certain subjects from the vicissitudes of political controversy, to place them beyond the reach of majorities and officials and to establish them as legal principles to be applied by the courts. One’s right to life, liberty, and property, to free speech, a free press, freedom of worship and assembly, and other fundamental rights may not be submitted to vote; they depend on the outcome of no elections.”

The American flag, Jackson reminded the nation, stands for freedom — including the freedom to dissent. And to deny people their inalienable rights is to deny the very meaning of the First Amendment:

“If there is any fixed star in our constitutional constellation, it is that no official, high or petty, can prescribe what shall be orthodox in politics, nationalism, religion, or other matters of opinion or force citizens to confess by word or act their faith therein. If there are any circumstances which permit an exception, they do not now occur to us.”

The U.S. Supreme Court announced its decision in Barnette on June 14, 1943 — Flag Day. Soon thereafter, attacks on Jehovah’s Witnesses ceased.

Postscript: For an understanding of what today’s debate is really about, take 30 seconds to hear directly from San Francisco 49ers safety Eric Reid. This is what patriotism looks like — courageous, uncomfortable, informed, principled.

This is also who we are . . .

Donald Trump, Westworld, & the Future of American Democracy

Is the 2016 presidential election the beginning, or the end, of American civic life?

I say it’s both.

Pessimistically, one can say we are witnessing the end of civility, honesty, and empathy, and the beginning of the end of our two-centuries-long experiment in a quasi-functional representative democracy. Yet I believe what this election must provide, no matter who wins on Tuesday, is a wakeup call from our collective somnambulism, and a willingness to confront the Brave New World we have already begun to enter – a world in which we can disappear into virtual realities of our own imagining, and therefore one in which our ability to be more conscious (of ourselves, our surroundings, and the invisible systems that hold us prisoner) must become the lingua franca of a renewed civic order.

Fittingly, the stakes are laid bare in HBO’s latest blockbuster series, Westworld, a story in which future citizens spend up to $40,000 a day exercising their most base impulses – sexual violence and murder chief among them – in a vast adventure theme park filled with blissfully unaware android “hosts.” These hosts are pre-programmed with narrative storylines. Their memories are then wiped clean after each new day of rape and pillage, resulting in an endless loop of unconscious servitude.

As the show’s co-creator Jonathan Nolan puts it, Westworld is an effort to explore issues surrounding artificial intelligence and “the idea that humans are getting ever better at immersing themselves in their narrative fictions.” Consequently, it’s a story that poses timely and provocative questions about the depths to which we humans will sink when the line between fiction and reality becomes almost impossibly blurred. As one of the hosts says, foreshadowing her own conscious awakening from the nightmare she inhabits (and quoting Shakespeare as she does so), “These violent delights have violent ends.”

On one level, the election results on November 8 will reveal how violent the end to our most recent binge of primal theater will be. On another level, though, we have been asleep at the wheel for a long, long time.

Indeed, Trump’s rise recalls the warnings in Erich Fromm’s 1941 classic Escape from Freedom, a book that was written in the shadow of Hitler’s ascent to power, and in which Fromm tries to articulate our dialectical relationship with freedom itself, and what that relationship tells us about ourselves and the societies in which we live.

Fromm’s thesis was that before we can understand the dynamics of any society’s social processes, we must first explore the dynamics of the psychological processes operating within the individual. Central to all modern societies and individuals, Fromm wrote, was man’s relationship with freedom itself, which he defined as “the fundamental condition for any growth.” Since the structure of modern society and the personality of modern man first began taking shape – beginning with the end of the rigid social structures and limitations found in the Middle Ages, and accelerating after World War One – we have become freer to develop and express our own individual selves and ideas. At the same time, however, we have become freer from a world that gave us, precisely because it was proscribed, more security and reassurance. “The process of individuation is one of growing strength and integration of the individual personality,” Fromm wrote. “But it is at the same time a process in which the original identity with others is lost and in which modern man becomes more separate from them.”

The dilemma of modern society and how it impacts us is the same: it has given us more space to develop as individuals – and it has made us more helpless. “It increased freedom,” says Fromm, “and it created dependencies of a new kind. The understanding of the whole problem of freedom depends on the very ability to see both sides of the process and not to lose track of one side while following the other.”

The danger, Fromm cautioned, is if we forget that “aloneness, fear and bewilderment remain; people cannot stand it forever. They cannot go on bearing the burden of ‘freedom from’; they must try to escape from freedom altogether unless they can progress from negative to positive freedom. The principal social avenues of escape in our time are submission to a leader, as has happened in fascist countries, and the compulsive conforming as is prevalent in our own society.”

Sound familiar?

Because of this anxiety – and this willingness to submit to someone who will do the thinking for us – Fromm believed that our capacity to think critically had dangerously dulled over time (and that was in 1941!). Ironically, however, this gradual numbing of our critical capacities doesn’t mean we feel more uninformed. On the contrary, the constant barrage of messaging so indicative of modern society tends to be designed in such a way as to “flatter the individual by making him appear important, and by pretending that they appeal to his critical judgment, to his sense of discrimination. But these pretenses are essentially a method to dull the individual’s suspicions and to help him fool himself as to the individual character of his decision.”

How will Fromm’s observations play out in a Trump presidency, where the ersatz becomes the law of the land? How will they play out in a Clinton presidency, where the fog of secrecy becomes the daily forecast? And how will they play out in either case, as the virtual world increasingly becomes part of the daily menu of possibilities?

British filmmaker Adam Curtis has an idea, and it isn’t encouraging. As author Jonathan Lethem wrote in a recent must-read profile of Curtis, “One of his central subjects, running through all his work, is the possibility that we’re listening to the wrong voices in public life, and in our own heads; that the ideas we find authoritative and persuasive about our politics and culture are in fact a tenuous construction, one at the mercy of bias, invisible ideological sway and unprocessed, untethered emotions (principally, fear).”

“This is the whole thing about ‘good and evil’,” Curtis explains. “It’s a naïve view of the world. The problem is bigger, it’s a system. But how do you illustrate something invisible?”

For Curtis, the problem is that the central ideology of our age is the lionization of the self – the philosophy of ‘freedom to,’ run amok. “That the self, being expressive, is the good thing. Expressing yourself through consumerism is central. So, the dilemma for artists is that however radical in content their paintings, their performance art, their video works, the mode in which they’re doing it — self-expression — feeds the strength of the very thing they’re trying to overthrow, which is modern consumer capitalism.”

That’s deep. It’s also terrifying. So how do we separate ourselves? How do we develop the capacity to live lives of positive freedom amidst the filtered bubble of our own devising? How do we become more socially conscious at the very moment our ability to disappear into all-encompassing virtual worlds becomes commonplace?

How do we wake up?

In this sense, we are more like the android hosts of Westworld than we may want to admit. As Curtis put it, “On a social-media network, it’s very much like being in a heroin bubble. The utopia they hold out is a world where machines make everything for you and you have endless leisure time, you become creative and everyone’s happy. And the only thing is, actually, everyone’s incredibly unhappy because they haven’t got anything to do. What we call our jobs today are actually fake jobs. We sit in our offices in front of our screens in order to get the money to go out and buy stuff. Our job is really to go shopping. And the rest of the time, we sit in our offices doing complicated managerial things, and when we’re not, we’re actually watching the internet. The internet is there to keep you happy during your fake job.

“You have to recognize that you’re part of the thing,” Curtis argues. “But the point about journalism is to try to portray the thing you are part of. I think that’s the best you can do.”

So cast your vote on November 8. Recognize that you are part of the thing. And let the real work begin.